Marosán, Gyula (1915 - 2003)
Women Figures, 1930s
23.5x32 cm
pencil on paper
signed lower right: Marosán
Themes: modernism Hungarian Modernism Bottom Painting European School Woman Breasts
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Marosán, Gyula's futher works of art
(1915 - 2003)
Mettle, 1940s
(1915 - 2003)
Strange Company, 1940
(1915 - 2003)
Lying Woman, 1940
(1915 - 2003)
Strange Couple, 1940s
(1915 - 2003)
Horses (Stable), 1934
(1915 - 2003)
Furnace, c. 1934
(1915 - 2003)
Light Structures, 1959
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Spectacled Man, 1930s
(1915 - 2003)
Standing Nude in Atelier, 1934
(1915 - 2003)
Young Girl by Side-Face, 1936
(1915 - 2003)
Plow Land, c 1946
(1915 - 2003)
Holding Bowl, 1930s
(1915 - 2003)
At the Barber's, 1930s
(1915 - 2003)
The Maestro, 1930s
(1915 - 2003)
A Cow Backward, 1930s
(1915 - 2003)
The Big Eyed Alien and the Lama, c. 1948
(1915 - 2003)
The Studio of Artist, 1930s
(1915 - 2003)
Butterfly Mashine in the Desert of Perspective, 1940s
(1915 - 2003)
Reading Woman, 1930s
(1915 - 2003)
Young Boy, 1930s
(1915 - 2003)
Sleeping, c. 1948
(1915 - 2003)
Black-White Mashine, c. 1948
(1915 - 2003)
From Memory on Her, 1935
(1915 - 2003)
Christ
(1915 - 2003)
Constructing
(1915 - 2003)
Wisping
(1915 - 2003)
In the Port
(1915 - 2003)
One Bowl of Fruit, 1932
(1915 - 2003)
After Having Bath
(1915 - 2003)
Narcissistic, Elliptic Chessboard
(1915 - 2003)
Young Girl
(1915 - 2003)
Tangle in the Sky, the Alps in Background
(1915 - 2003)
Tube Filled Soldier
(1915 - 2003)
Bird
(1915 - 2003)
Over Jumping, Under Flying
(1915 - 2003)
Hunt, 1940
(1915 - 2003)
Judas
(1915 - 2003)
In the Gate of Garden, 1939
(1915 - 2003)
Conversation in the Staircase
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Music and Sculpture
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Sunrise at Lake Balaton
(1915 - 2003)
The Events are Thickening
(1915 - 2003)
Wondering
(1915 - 2003)
Balaton's Port with Sailing, 1942
(1915 - 2003)
Bather, 1942
(1915 - 2003)
Gentle, Slightly Startled Lovw
(1915 - 2003)
Bread to Be Ready or Clothes to Be Clean
(1915 - 2003)
Gentle Regard
(1915 - 2003)
Celebrating Mass at Parliament' Square
(1915 - 2003)
The Breeze Ruffled Water
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1055 Budapest, Szent István körút 5.
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